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|  | | | Arri Ultra prime 8R | | With the Ultra Prime T2.8/8R, ARRI introduces a new extreme wide angle lens with a unique look that is fresh and unmatched by any other lens in the film or video world. The Ultra Prime 8R shows an extremely wide angle of view without any of the commonly associated distortion because of its rectilinear design.
The Ultra Prime 8R can be used for exhilarating high-speed POV shots, amplifying the apparent speed of movement through its unique perspective and putting the viewer right into the middle of the action. Since wide angle lenses exaggerate depth perception, this lens can also make spaces seem more spacious than they are. It is ideal for wide establishing shots, sweeping vistas, the interior of cars, small rooms, unusual angles, wild music video pans and many, many more applications where a unique and fresh look is required. |  |  More Info... |
| | | Sony HDW-F900R | | The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities.
The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan.
The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls.
The design of the HDW-F900R is highly compact and lightweight. |  | | More Info... |
| | | Panasonic AJ-HDX900 | | This full 2/3" DVCPRO HD camcorder records 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. With 1080i, 720p, and framerates up to 60p the AJ-HDX900 is perfect for long-form HD programming and an invaluable tool for digital cinematography, cable and television production in any format.
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| | | Panasonic AJ-HD 1400 | | The Panasonic AJ-HD1400 field recorder is a lightweight VTR that operates on AC or DC.
Multi-format HD/SD system records in 1080/59.94p, 1080/50i, 720/60p, 720/59.94p and 720/50p. Converts from a VariCam® 50p recording (over 60p) source with native 720p/50 or PAL output.
Firewire input/output interface transfers DVCPRO HD native video to NLE systems without image quality degradation. HD-SDI input/output and SDI output for applications such as line recording and in-studio production.
Built-in up/down/cross converter for playing back DVCPRO 50/DVCPRO/DV/DVCAM tapes and for outputting a converted HD signal. Supports assemble/insert editing with 9-pin remote control and Firewire.
High-quality 16-bit digital audio with up to eight embedded channels.
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| | | ARRI FF-5 Follow Focus | | Arri's latest Follow Focus system for video and film cameras. A completely modular, film style follow focus which is ideal for digital productions.
The system features a longer swing arm and lower gear ratio optimized for ENG lenses. Snap-on mounting for 15mm or 19mm rods.
Compatible with all FF-4 accessoiries. |  | | More Info... |
| | | ARRI MB-20 Mattebox | | The 5.65 x 5.65 Compact Mattebox easily adapts for use with lightweight support, bridgeplate support rods, or clamped on and supported by the camera lens. The swing-away Mattebox system works with wide angle lenses and provides two or three independently rotating filter stages for filter sizes up to 5.65 x 5.65.
The MB-20 system includes a unique adjustment system to ensure precise fit. Optional top, bottom and side flags and masks are available for optimal light control. The lockable swing-away mechanism makes lenses access fast and easy. The system accepts virtually all professional lenses including the Canon 4.7 x 11 and Fujinon 4.5 x 13, HD Primes, and all film format prime lenses as wide as 14mm.
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